Fenimore

Fenimore Art Museum

Reclaiming Gettysburg: Kevin Gray’s Modern Tintypes

 


Toward Warfield Ridge, 2011.  Kevin Gray. modern tintype, 12” x 25”

March 31–August 5, 2012
 

Reclaiming Gettysburg conveys a rich sense of nostalgia for a treasured and alluring American past.  Gray’s tintype montages express his individual perspective of Gettysburg history using a modernized version of a photographic technique popularized and perfected during the Civil War.

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start date: 
03/31/2012
end date: 
08/05/2012
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To Great Acclaim: Homecoming of the Thaw Collection of American Indian Art

 

March 31–December 30, 2012

Revealing the extraordinary range of art produced by Native American cultures, To Great Acclaim surveys the extraordinary achievements of North America’s first artists in more than 100 objects of transcendent beauty, including ritual objects, ceremonial clothing, pottery, and basketry.

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start date: 
03/31/2012
end date: 
12/30/2012
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Heavenly Aida: Highlights from The Metropolitan Opera

 


Leontyne Price, Title Role Aida. January 3, 1985.  Leontyne Price’s farewell performance.
Photographer: James Heffernan, courtesy of the Metropolitan Opera Archives

March 31–August 26, 2012

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start date: 
03/31/2012
end date: 
08/26/2012
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1
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Artist & Visionary: William Matthew Prior Revealed


William Matthew Prior, The Artist as a Young Man: A Self Portrait, William Matthew Prior (1806-1873), 1825.  Oil on canvas, 23.5 x 19.5 in.  Fenimore Art Museum, Cooperstown, New York

May 26–December 30, 2012

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start date: 
05/26/2012
end date: 
12/30/2012
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American Impressionism: Paintings of Light and Life

 


(Detail) Child in Sunlight, 1915, Willard Leroy Metcalf (1858-1925), oil on canvas, 25 1/8 x 21 in.
Florence Griswold Museum

Website landing page: (Detail)  Provincetown, 1900, Childe Hassam (1859-1935), oil on canvas,
24 1/8 x 22 1/8 in., Arkell Museum Collection, Gift of Bartlett Arkell

May 26–September 16, 2012

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start date: 
05/26/2012
end date: 
09/16/2012
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10
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finite
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Professional Programs

The Otsego Institute for Native American Art History

Materials and Materiality in Native North American Art History

May 18-21, 2015

This four-day workshop for graduate students and junior professionals is sponsored by the Otsego Institute for Native American Art History in cooperation with the Fenimore Art Museum.

Applications are now available. Application deadline: January 15, 2015

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Meanings of the Mask

Grade Level: 
2nd to 5th

Grade Level: 2nd to 5th
School Program Type: Workshop
Duration: 2 hours

Tour the Thaw Gallery of American Indian Art and learn about the masks of Yup’ik culture of the Alaskan tundra in one of our popular programs. Students will learn how celebration and tradition was important to the survival of native cultures. Students will then create masks of their own to take home.

This workshop is also available as a Distance Learning Program.

School Program Type: 
workshop
Duration: 
2 hours
On or off site (for workshops): 
On-site
Site: 

Natural Neighbors

Grade Level: 
pre-K to 1st

Grade Level: pre-K to 1st
School Program Type: workshop
Duration: 2 hours

Experience how the Haudenosaunee lived by visiting the Mohawk Bark House. Through an interactive story and art project, students will discover the importance of animals to this Native American culture.

New York State Learning Standards
Social Studies Standard 1, 4
The Arts Standard 4

School Program Type: 
workshop
Duration: 
2 hours
On or off site (for workshops): 
On-site
Site: 

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